"The human condition is a symphony that resonates universally, and lost illusion is the title of every work" ~ Maxine Hong Kingston
Friday, June 1, 2012
Disclaimer
Working on an introduction for a new collection of poems but cringe at the idea of doing something conventional or predictable. Any ideas? This is what I've come up with so far...
The thoughts expressed in this collection
are strictly my own
and do not represent
the teachings of my old department
nor the official positions
of a well-intended editor
any of several previous religions
current or former lovers
known literary traditions
or my ancestral tribe
Friday, May 25, 2012
I hate re-writing
but sadly I'm sitting on dozens of poems that feel like they are 90 to 95% there but definitely not finished. I'm having a hard time working on new things while knowing there are poems I've already written that need a lot of work. I'm the Octomom Poet. Squeezing out new ones has become more important that caring for the ones I already have. Maybe I'll get a visit from the Poetry Social Worker, who will find a home for the older ones and raise them properly? Or maybe there's a workshop to help me with this?
Thursday, April 26, 2012
What you dream while he's away at Model United Nations
I. Perched up in a high corner of his room
you hear his alarm and see him motionless
you never lost your fear of SIDS
it sounds your own alarm
He’ll grope for the snooze button
and sleep in late because he can
he sleeps well in hotel beds
they're newer and bigger than his own
and because you’re not there
with your muted morning sounds
and the unspoken lure of white mocha
II. He’s a well-prepared diplomat
with detailed policies and positions
but he’s caught by surprise
when the ambassador from Zimbabwe
gets all precious and blocks his resolution
Bono shows up to smooth things over
but these things take time
so everyone agrees settle things
over World of Warcraft
and Red Bull over ice
III. Trouble finds him because he’s still really young
and lacks street smarts
A brown belt
(while better than nothing)
can’t stop the vicious gang from Singapore
who target young, healthy quarry
so they can knock them out
and harvest their organs
IV. There’s a big dance on the last night
and he meets a nice girl
maybe not as nice as you’d hope
but nice enough for him to loosen up and dance
You worry that she’s a little more experienced
a second child with a rapacious older sister
her parents have full cable
you know she’s seen it all
She talks about Burning Man
and getting her own place
Her face morphs into something predatory
you wonder if there’s a Latin word
for Skankasaurous Rex
and you scream a scream he’ll never hear
V. He appears old and it takes a while
for you to know it’s him
If he’s that old
it means you’re either frail or dead
and you wonder if you’re seeing him from now
or through the lens of the Summerlands
VI. He comes home intact
and you’re both tired
him from his travels
and you from fevered dreams
Friday, March 2, 2012
Grave Accent
The grave accent is a diacritical mark used in Breton, Calalan, Corsican, Dutch, French, Greek, Italian, Mohawk, Norwegian, Occitan, Portuguese, Ligurian, Scottish Gaelic, Vietnamese, Welsh, Romansh, and other languages. Until very recently I misunderstood what this term actually meant.
Sometimes
there’s the meaning we believe
the real meaning known to everyone else
and we’ve no idea they’re separate things
I was certain that term
grave accent
meant the reverent tone
reserved for graveside services
our dignified whispers
saved only for the grieving and the dead
But no, it’s a linguistic thing
a diacritical mark taught in the academe
and known from Corsica to Wales
First used by the ancient Greeks
it marks a lower pitch to accentuate
the higher pitch that follows
On this mournful day
I hear grieving Tuscans
gently intone
morì
virtù
portò
he died
with virtue
and was carried here
I was wrong
I didn’t know
but in my providential world
where graveside visits are rare
and higher pitches follow
my tone would have been
just right
Sometimes
there’s the meaning we believe
the real meaning known to everyone else
and we’ve no idea they’re separate things
I was certain that term
grave accent
meant the reverent tone
reserved for graveside services
our dignified whispers
saved only for the grieving and the dead
But no, it’s a linguistic thing
a diacritical mark taught in the academe
and known from Corsica to Wales
First used by the ancient Greeks
it marks a lower pitch to accentuate
the higher pitch that follows
On this mournful day
I hear grieving Tuscans
gently intone
morì
virtù
portò
he died
with virtue
and was carried here
I was wrong
I didn’t know
but in my providential world
where graveside visits are rare
and higher pitches follow
my tone would have been
just right
Tuesday, February 7, 2012
The Dad turns 80
Legacy
To begin each day
early and with purpose
To know the first secret of life
showing up
To imagine results
before they’re achieved
To plant and harvest
hunt and dress
To build monuments
outlasting us all
To have loved and lost
remembered both
To guide those who’ll listen
Give back where needed
To balance the certainty of faith
with the magic of wonder
To create a legacy and pass it along
Arriving a commoner, retiring a king
This is a life well lived
My Dad turned 80 this month. We have never pretended to understand each other well, but I've grown to love and respect him. He can't imagine a hobby that doesn't involve firearms or power tools, and I can't imagine a waking moment without the joy of language. Here's to genetic mutations.
To begin each day
early and with purpose
To know the first secret of life
showing up
To imagine results
before they’re achieved
To plant and harvest
hunt and dress
To build monuments
outlasting us all
To have loved and lost
remembered both
To guide those who’ll listen
Give back where needed
To balance the certainty of faith
with the magic of wonder
To create a legacy and pass it along
Arriving a commoner, retiring a king
This is a life well lived
My Dad turned 80 this month. We have never pretended to understand each other well, but I've grown to love and respect him. He can't imagine a hobby that doesn't involve firearms or power tools, and I can't imagine a waking moment without the joy of language. Here's to genetic mutations.
Thursday, January 26, 2012
Sorting and Pitching
Something about this time of the year, I'm going through piles of old stuff and pitching what I don't want or need. It's easy with material things. If you doubt that, you haven't any clothes left from the 80s.
With writing it's different. I can store five years of work on a $4 jump drive. Just don't ask me to find anything quickly.
I did manage to find the outline for a workshop I led last May on the Poetry of Protest. It was a lot of fun, great turnout, and forced me to gather together some examples from my own work:
- Artist of Discarded Instruments (returning veterans)
- What Do You Fear? (Bush White House rejection of poets)
- Julia, Who Can Speak Now (Sudanese refugees)
- Trudy, From Cameron Parish (British Petroleum Oil Spill)
Protest is hard work and I'm tired. Starting to think about more uplifting topics like love and redemption. What are you writing about? Inspire me. You know how.
With writing it's different. I can store five years of work on a $4 jump drive. Just don't ask me to find anything quickly.
I did manage to find the outline for a workshop I led last May on the Poetry of Protest. It was a lot of fun, great turnout, and forced me to gather together some examples from my own work:
- Artist of Discarded Instruments (returning veterans)
- What Do You Fear? (Bush White House rejection of poets)
- Julia, Who Can Speak Now (Sudanese refugees)
- Trudy, From Cameron Parish (British Petroleum Oil Spill)
Protest is hard work and I'm tired. Starting to think about more uplifting topics like love and redemption. What are you writing about? Inspire me. You know how.
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